SCIENCE. 2. KNOWING.
1. NATURE (_or_Impression_). 1. FEELING (_or_Affection_ ).
The point of present importance in the use of these discriminations is to make clear to the mind of the reader what perhaps is sufficiently implied in the very terms themselves, namely: that _Impression_ and _Expression_ are correlative to, and, in a sense, exactly reflect each other; that the totality of _Impression_, or the Universe which enters the mind through the senses, is repeated-with a modification, it is true, but still with traceable identity, or with a definite and unbroken relationship-in the totality of _Expression_, or in the Universe of Art, taken as the entirety of what man does or creates. It is by the mediation of Science or Knowledge, that one of these worlds is converted into the other. Nature or _Impression_ is the aggregate of the Rays of Incidence falling upon a mirror; Science is the Reflecting Mirror; and Art or Human Performance is the aggregate of the Reflected Rays, whose angles can be exactly calculated by the knowledge of the angle of incidence.
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